Archives

Oaks in the Mist

“Oaks in the Mist” pastel on Pastelmat, 2026, 7″ x 9.5″

This piece was inspired by a misty morning hike down an oak lined trail. This piece was done using Blue Earth pastels, listening to Downliners Sekt (an old album, “Statement of Purpose”).

Summer Silhouette

“Summer Silhouette” pastel on Pastelmat, 2026, 7″ x 9.5″

Inspired by a summer morning walk along a trail at the edge of Basket Slough, a stormy sky, and dry grass and meadow flowers. This painting uses Sennelier and Blue Earth pastels.

View of the Willamette River

“View of the Willamette River” pastel on Pastelmat, 2026, 7″ x 9.5″

Inspired by a favorite trail along the Willamette River, and the springtime view at a favorite spot along the way. This piece uses a combination of Henri Roche, Blue Earth, and Sennelier soft pastels.

Stormy Weather

“Stormy Weather” pastel on Pastelmat, 2026, 7″ x 9.5″

Inspired by the night-dark clouds of a storm moving in, and rain falling as a misty curtain over distant hills. This piece makes use of Henri Roche’s “Feu d’artifice” selection of dark pigments enhanced with sparkles.

Untitled Pastel

“Untitled” pastel on Pastelmat, 2026, 7″ x 9.5″

Like something from a dream. Inspired by restless nights, and too much time spent fatigued and in my own head, in the midst of a world in turmoil. This piece makes use of Henri Roche’s “Feu d’artifice” selection of dark pigments enhanced with sparkles.

Summer Sunrise, McMinnville

I enjoy a beautiful sunrise. Happily, there are so many!

“Summer Sunrise, McMinnville, June 2026″ –  5″ x 7”, pastel on pastelbord

This June sunrise is done on Ampersand Pastelbord, using Blue Earth soft pastels. It captures the western horizon on a colorful morning, seen from a local trail.

This piece is available for sale. If interested, please contact me by email.

Views From The Ester Lee in June

I spent a couple days painting on the coast on the southern edge of Lincoln City, Oregon, in June. The view from the window of my room was lovely. I watched the tide come and go for hours.

“Sunrise View From the Ester Lee in June” 5″ x 7″ pastel on pastelbord
“Storm Rolling In, June at the Ester Lee” 5″ x 7″ pastel on pastelbord

Both of these pieces are available for sale (please email me if interested). These were painted en plein air from the open windows of a room at the Ester Lee Hotel, using Sennelier and Henri Roche pastels on Ampersand Pastelbord.

I have been finding myself more inspired lately – ocean views, forest trails, expanses of fields in full bloom, and so many beautiful sunrises and sunsets.

Time Passes

Time is a finite resource, it passes. Unused minutes get lost along the way. My last new pastel (or painting in any medium) was November 30th of 2024. That seems a very long time ago, though I’ve had at least one other very long period without new creative work.

I delighted myself with clearing the clutter from my studio and getting my workspace set up once again, over the past week. It feels functional, and the work feels satisfying. Maybe that’s enough?

There are a lot of ways to work. Large, small, at an easel, on the floor – what matters most is to do it in the way that feels most natural to the artist doing the work.

I haven’t had the use of my studio for the time between July 1st of 2024 until quite recently – yesterday, actually, call it not quite two years. I happily sat down at my tabletop easel this morning, and did the first piece of new work in a long time. I have mixed feelings about it, which does not surprise me a bit. I’ve had plenty to inspire me over this past two years, and finally sitting down to do something about it feels a bit…strange. I’ll get over it. lol

“Sunrise Reflections” 5″ x 7″ pastel on pastelboard, 2026

Instead of giving up after one piece, I sat with my thoughts and an assortment of photographs from recent hikes and visits to hidden coastal places. After spending some time refreshing my recollections of a particular favorite spot, I got back to work.

“Road’s End” , 7″ x 9.5″, pastel on Pastelmat

It feels good to be painting again. I cue up a new playlist. More to come…

Bald Peak Viewpoint Misty Morning

I sought out this location with some plein air painting in mind, but what I actually got was a rainy day with muddy trails and mist-obscured views. It was beautiful in its own way, and worth the trip. I’ll go back again, when the weather is fair and try to get a look at the view this spot is known for. There are lovely spots with picnic tables convenient for lingering awhile, and I can see this location becoming a favorite spot to paint.

“Bald Peak Viewpoint Misty Morning” pastel on pastelbord 7.5″ x 9″, 2025

This piece was done using a combination of Blue Earth and Sennelier soft pastels, and inspired by the dense mist, and rain-drenched early spring landscape of grassy slopes and mature hemlock trees.

Spring on the Clackamas River

My week scouting inspiring locations for a bit of plein air work took me out to the Clackamas River. I enjoyed a chilly morning of hiking new trails, and scouting likely spots to sit alongside the river somewhere taking in the view. I finally found “my spot”, and I know I’ll be going back there. The chilly gray day threatened rain, but I did manage to get a bit of painting done before heading for home.

This piece was painted with Sennelier and Blue Earth pastels, on Ampersand Pastelbord.

“Spring on the Clackamas River”
7″ x 9″ pastel on pastelbord, 2025