Inspired by the sight of a “Starlink train” of new satellites moving into position in the dawn sky one August morning. Seen from a favorite trailhead, as I got started down the trail.
This piece is painted on Pastelmat, using a combination of Sennelier, and Henri Roche soft pastels, and is available for sale.
“Seeing Red” soft pastel on Pastelmat, 7″ x 9.5″, 2026
Emotions are tricky. Some of them pull us in, until we lose ourself in some small detail.
This piece is painted using a combination of Henri Roche, Blue Earth, and Sennelier soft pastels, and is available for sale.
This piece was inspired by a misty morning hike down an oak lined trail. This piece was done using Blue Earth pastels, listening to Downliners Sekt (an old album, “Statement of Purpose”).
Inspired by a summer morning walk along a trail at the edge of Basket Slough, a stormy sky, and dry grass and meadow flowers. This painting uses Sennelier and Blue Earth pastels.
Inspired by a favorite trail along the Willamette River, and the springtime view at a favorite spot along the way. This piece uses a combination of Henri Roche, Blue Earth, and Sennelier soft pastels.
Inspired by the night-dark clouds of a storm moving in, and rain falling as a misty curtain over distant hills. This piece makes use of Henri Roche’s “Feu d’artifice” selection of dark pigments enhanced with sparkles.
Like something from a dream. Inspired by restless nights, and too much time spent fatigued and in my own head, in the midst of a world in turmoil. This piece makes use of Henri Roche’s “Feu d’artifice” selection of dark pigments enhanced with sparkles.
I enjoy a beautiful sunrise. Happily, there are so many!
This June sunrise is done on Ampersand Pastelbord, using Blue Earth soft pastels. It captures the western horizon on a colorful morning, seen from a local trail.
This piece is available for sale. If interested, please contact me by email.
I spent a couple days painting on the coast on the southern edge of Lincoln City, Oregon, in June. The view from the window of my room was lovely. I watched the tide come and go for hours.
Both of these pieces are available for sale (please email me if interested). These were painted en plein air from the open windows of a room at the Ester Lee Hotel, using Sennelier and Henri Roche pastels on Ampersand Pastelbord.
I have been finding myself more inspired lately – ocean views, forest trails, expanses of fields in full bloom, and so many beautiful sunrises and sunsets.
Time is a finite resource, it passes. Unused minutes get lost along the way. My last new pastel (or painting in any medium) was November 30th of 2024. That seems a very long time ago, though I’ve had at least one other very long period without new creative work.
I delighted myself with clearing the clutter from my studio and getting my workspace set up once again, over the past week. It feels functional, and the work feels satisfying. Maybe that’s enough?
I haven’t had the use of my studio for the time between July 1st of 2024 until quite recently – yesterday, actually, call it not quite two years. I happily sat down at my tabletop easel this morning, and did the first piece of new work in a long time. I have mixed feelings about it, which does not surprise me a bit. I’ve had plenty to inspire me over this past two years, and finally sitting down to do something about it feels a bit…strange. I’ll get over it. lol
Instead of giving up after one piece, I sat with my thoughts and an assortment of photographs from recent hikes and visits to hidden coastal places. After spending some time refreshing my recollections of a particular favorite spot, I got back to work.
It feels good to be painting again. I cue up a new playlist. More to come…
