“Morning Mist, Taft” 5″ x 7″, pastel on Pastelbord, 2024
This piece illustrates how very much art is in the eye of the beholder, and how little control over that an artist really has. I painted this from the balcony of my hotel room on a misty morning, watching the mist fill the spaces between distant hills on the other side of Siletz Bay. Shortly before, I’d received a worried phone call from my partner, uneasy about the potential of a tsunami (because I’d earlier messaged at how interesting it was to be able to see the tide coming in so easily from my vantage point, then suddenly stopped replying while I was painting this very piece). When I shared the completed work with my partner, he saw the image as tsunami-like, more than any impression of a misty morning. Funny how that goes.
“Taft at Dawn” 6″ x 8.5″ pastel on Pastelmat, 2024
This piece was inspired by my July visit to the Taft, on Siletz Bay, south of Lincoln City, Oregon. It is the view from the hotel I generally stay at when I take time on the coast to paint, and the early morning sky is often a soft smudgy assortment of pinks, mauves, and pale orange hues. The gulls circle the pier, and above the nearby fisherman, and even at such an early hour there are often people walking the beach at low tide.
This is another piece I photographed immediately after completion although the Pastelmat tends to warp just a bit when I remove the masking tape I use to mask off the border and release it from the surface I’ve secured it to. One reason I recently switched to Ampersand Pastelbord is to avoid this warping (and the time required to press new work flat again, risking smudging or damaging the work).
“Stormy Weather” 6″ x 8.5″ pastel on Pastelmat, 2024
I painted this with stormy weather in mind, and recollections of my July trip to the coast, watching a storm approach from the western horizon, dropping showers as it passed over the ocean and the bay.
I’ve found that one challenge using unmounted Pastelmat is the paper tends to warp just a bit when I remove the masking tape I use to mask off the border and release it from the surface I’ve secured it to. This observation inspired the subsequent (recent) switch to Ampersand Pastelbord, although I’m not firmly committed to one or the other surface; they each have their advantages. This piece was photographed immediately after completion, and before I had pressed it flat again.
“Sunrise at the Trailhead” 5″ x 7″ pastel on pastel board, 2024
Inspired by a vibrant September sunrise at a local trailhead. A favorite source of inspiration for me is the opportunity to watch the sunrise before a hike.
It’s been more than a year since I last posted in this space. Life has been busy, and generally not artistically, just busy. I lost a dear friend this year, and with her passing I somehow lost a lot of inspirational fuel as well. Unexpected. Health. Aging. Mortality. Just the usual “human stuff” getting in the way of creative work, and here I am – more than a year later, with very little to show for it.
My last notable time spent in the studio was last November. I spent that working on an unfinished piece, “Toxicity”, and had this to say about it:
So this seems to be “the thing that’s been holding me back” in some subtle way; unfinished, and staring back at me in a mocking way, as if to say “you still can’t get past this one, and fuck you for thinking you could”. She’s the face of my chaos and damage. She’s the face of every abusive relationship, every stupid confrontation, every bit of seemingly senseless drama where my rather face-value take on things sometimes leaves me missing some obvious bit of imminent drama that plays to someone else’s sheet music. She’s the hidden agenda. She’s the pointless lie. She’s the temptation that destroys. She’s even the demon within me seeking more bad company to pull me from my better path. She’s the unaddressed past. She’s the poison we deliver to ourselves. She’s the pretty package that is empty inside. She’s “Toxicity”.
“Toxicity”, acrylic mixed-media on canvas with glow, 2023 (unfinished)
She’s not yet finished. The distortions to the mask were a bit of work, and I stalled shortly after I figured that out – which was sometime ago! Seems so long ago now, and carrying this burden has been… heavy. I’ve quite a lot more to do with this one, but working on it takes a bit out of me every time, as if I am exorcising this demon as I work. She is entirely inspired by ______, although she’s come to represent so much more as I have continued down my path, taking my own internal journey, and working through my bullshit. 11 x 14, mixed media on canvas with glow, tiny coins, molded plastic… and eventually a crown of shards of glass (no kidding – but I found some suitable broken float glass that had been “wave tumbled” and I think it’s a good choice), and some metallic strands of tightly coiled fine wire for hair. Being patient enough to let the glow gel around those coins dry today is hard, but I still need to figure out things like attaching the glass and the wire, and also decide whether the assorted small keys for earrings is too much… but… she’s been a key to so many things, and truly holding me back…so… it fits, yeah? And also… fuck this bitch – and the one who inspired her.
I wrote those words to my departed friend, and it seems a lifetime ago, now. It has been a long while. I’d nearly finished the work on this piece, hopeful I’d exorcised this demon, when my friend passed. Suddenly, it was too late to share new work, too late for deep conversations about life, or art, or anything at all. I found myself entirely stalled and began sloppily using my studio for storage space.
I think I’ve gotten myself sorted out now, and ready to tackle new work. I definitely want to. The challenge? I don’t at all want to do what I’ve done before. I’m hungry for something really new, really different.
Going through boxes and things and getting the studio in order for creative work to come, I found an old cigar box with some odds and ends art supplies in it, tucked in a corner of a drawer, forgotten.
Pastels and colored pencils, barely used at all.
I feel inspired again…
A pivot to an entirely new medium is no small thing, and I’ve no idea where this will take my work. My studio needs an overhaul with this change in mind, so I’ll be taking a look at work currently in storage (unsold) and developing a plan to thin that out through some kind of sale, very soon.
I don’t recall what specifically inspired this piece, painted after a stormy October weekend in Lincoln City, Oregon. Depending on the quality of the light in the room, it can appear as a stormy afternoon, or the twilight of evening.
“Coastal Getaway” 12″ x 14″ acrylic on canvas, 2021
Shot in different light:
Same painting, giving the appearance of a different time of day.
This is one of several pieces that I spent time on in 2020 and 2021, without doing much about documenting the work or sharing it; we’d just moved into our house in McMinnville, Oregon, and frankly life was pretty busy. lol
I’m enjoying a weekend in the studio, and finding much of my inspiration in recent sunrises and sunsets. Quite a bit of new work in progress. Details to come, once pieces are finished, but here’s a sneak peak…
Not yet titled, 6″ x 8″ acrylic on wood panel with glow
“McMinnville Sunset 2022″, inspired by a recent sunset, 12″ x 12” acrylic on canvas
“McMinnville Sunrise 2022″, inspired by a recent sunrise, 8″ x 10” acrylic on canvas with glow
Just started on the cloudy sky background for this piece, very much still work in progress, 8″ x 10″ acrylic on canvas with glow.
I haven’t made enough room in my life lately for long weekends painting. It feels good to be back in the studio working creatively. I’m eager to see how these pieces develop, and getting them up for sale.
Funny title for a painting, I suppose. It has a backstory. Perhaps I’ll share that with a buyer one day. Perhaps not. This 8″ x 10″ acrylic on canvas piece has details that include glow-in-the-dark pigments and glitter. It was inspired by a brightly glowing luminous round full moon and the shimmering waves beneath it one mild October night in 2022.
Meta Luna, 8″ x 10″ acrylic on canvas with glow and glow-glitter details, 2022
New work. I spent some time in the studio this past weekend (overdue). Filled with inspiration, I wasn’t at all sure my time would actually be productive. Decision-making paralysis is a real thing, and I had “too many ideas” and struggled to steady down and work on just one or two.
“Every Dawn a Beginning” 12″ x 12″, acrylic on canvas w/glow, glitter, and resin details. 2022
This particular small piece was inspired in part by the collaboration with my partner (a different sort of artist), who shot several airbrush backgrounds for me recently that got set aside for later use. “Later” finally came around, and I sat down on a somewhat stressful autumn afternoon to think things over and put those thoughts on canvas. I selected this unusual orange-yellow-peach blended background because it threw my usual color selections out the window and forced some fresh thinking on me. New perspective, and a fun result.
Once this piece is fully dried, I’ll charge up the glow and add an image of that alternate perspective on this largely very hopeful piece. Inspired by love, and gray autumn days, and an old love song.
I recently went wild re-organizing my studio. During the pandemic my studio has also served as my office (as is the case with many artists, I have a “regular” job to keep things steady), and working from home has turned out so splendidly that it’s become a professional preference and a lifestyle. I was overdue to put real thought and permanence into how my working space is arranged. With that done, I have also found myself feeling more inspired. Feels good. I’m hoping to make a more regular practice of posting here, new work as it comes, and also getting some of the older work uploaded and made available for sale.
Yesterday I spent time painting and thinking about my “workflow” in my studio. I finished one small piece and started a couple others. It feels good to be back in the studio. The feeling of joy and creative energy hit the canvas as “California Poppies & Summer Sunshine”, a small 6″x6″ acrylic on canvas, with glitter and glow. I’ll photograph this piece again with other light sources once it has completed dried (there is a lot of glow on this one).
Small piece, small picture. “California Poppies & Summer Sunshine”, 2022
This small piece is intentionally playful. It’s been a lovely summer, and feels worth a little celebration. That’s what this piece has in mind. The smaller image above is intended to provide a perspective a bit more like walking past it (hanging in a corridor, perhaps). If you’d like a closer look…