Tag Archive | 2024

Art and the Artist

The year is winding down to a quiet finish. A new year is just about ready to begin. 2024 was a big year for me, artistically – I changed mediums after decades working in acrylic (and mixed media). I tried soft pastels for the first time and found myself utterly in love with them.

Newness being what it is, it has been a learning process with its own unique challenges, and this gets me thinking about art as a process (and a practice), and the artist as a being and a creator. There’s an “open question” here, and we each have to answer it our own way; do we seek out education, study independently, or just “do the damned thing”?

A stack of books, a holiday, and a path forward.

I was delighted to receive some books over the Yule holiday very much focused on art, two quite practical and technical, two that were more “depth of knowledge” oriented and less specifically focused on my needs in this moment. I’m content with that; I find my inspiration in a lot of places, including books. I’m eager to dive into each one – there’s so much to learn!

I’ve been surprised how deeply social pastel as a medium seems to be – so many groups and societies! I’ve had the opportunity to meet several well-estalished pastelists in my area – mind-blowing talent and amazing work. It’s quite humbling. Often. So many of these well-established artists are also credentialed professionals with impressive MFAs and CVs that read like grocery-lists of juried shows hither and thither. Amazing. I’m suitably impressed, no doubt – but is it my path? Hasn’t been. It’s not my way. I’m also not wholly inclined to just stumble about doing this-n-that discovering too late that it is a poor practice to mix this medium with that one, or to use X product as a fixative because it is known to damage the paint. Things like that are already known – and available to learn from well-sourced material. Artistically, I’ve tended to fall somewhere between; not particularly social (and less inclined to join things), unlikely to to enter juried shows (it’s quite a lot of work, and I’d rather just paint)… and as far as education goes? It’s a lot of time and money to spend on classroom instruction when I could read a book and spend more time at my easel. That’s tended to be my approach over a lifetime, and it has served me adequately well.

I’m not dissing artists with MFAs – for those with the commitment, time, and money, it’s an impressive and likely quite satisfying achievement. I’m not looking down on artists who “just do the damned thing” always learning as they go, mistakes and all. Those artists sometimes discover amazing things that we can all learn from and make use of. The art itself does not care one whit whether the hand holding the brush is an educated one.

What I’m really saying, I guess, is that it is a new year – a new opportunity – if you’re feeling inspired, create something! Buy that first set of paints and brushes, give it a try. Sign up for that course. Join that group. Be the artist you are, yourself, your way. We all benefit from that. Here’s to an exciting and inspired new year. ❤

Urban Warfare

“Urban Warfare (world on fire)” pastel on pastelmat, 2024, 7″ x 9.5″

This piece is inspired by recent world events, global warfare, and the unsettling sensation that the world is on fire, which has begun to seep into my dreams. It’s not a coincidence that it is similar to “The Nightmare City”; it is a place I see often in my dreams. In my PTSD-fueled nightmares, I find myself on this street, looking up the road toward…what, exactly? The distance? What is beyond, I never quite find out, however long I walk – or run. Sometimes it helps to paint these images, sometimes it doesn’t.

Fireside II

“Fireside II” pastel on pastelmat, 7″ x9.5″ 2025

I’m enjoying exploring this theme of campfires – almost as much as I enjoy sitting by the fireside on a chilly evening in the darkness. This is one of those themes I’ll likely continue to play with until I get that feeling that I’ve “gotten it right” or said all I have to say about it, somehow.

Fireside

“Fireside” 7″x9.5″ pastel on Pastelmat, 2024

I took a few days of dowtime on the Oregon coast to paint and reflect. Time well-spent, but I was missing a certain specific experience that I often indulge when I go camping in milder weather (this trip was a hotel stay, with a lovely view of Siletz Bay) – hours sitting by a campfire, just staring into the embers and listening to the flames crackle. I had it on my mind, and it proved to be sufficiently inspiring to try to capture that yearned-for moment in pastel.

Winter Sunrise

“Winter Sunrise” 7″ x 9″, pastel on Pastelmat, 2024

I sat down to paint, feeling the lingering fatigue of a busy week, and a little low, generally. My heart felt heavy with the weight of unexpressed concerns, mostly fairly abstract and unresolvable. This painting is inspired both by my heavy heart, and also by the awareness that a new day will dawn. I could have titled it “This Too Will Pass” and conveyed similar sentiment.

This piece is painted entirely with Blue Earth pastels, and on Clairefontaine Pastelmat, taking advantage of a new tabletop easel. It’s been awhile since I worked from an easel, and in pastel there are some definite advantages, one being that loose pastel dust falls away from the work immediately, reducing the risk of smudging it into the work in spots where it doesn’t belong.

Hard Times Make Great Art

Some folks – maybe a lot of people – are hurting right now. Feeling angry. Feeling devalued. Feeling that their voice doesn’t matter. Feeling powerless. Hard times are… hard. Hard times make great art. Always have.

…The world feels like it’s on fire, and there is war and destruction everywhere…

When I came home from Desert Storm, my painting style had changed (rather a lot), and the things on my mind began to percolate up through my art. I painted the war. I painted the chaos. I painted the things I didn’t have words for. I’ve used art to give voice to the things I don’t have words for “all along” – at least for the whole time I’ve been an artist.

“Kuwaiti Oil Fires” 20″ x 48″ oil on stretched silk, 1991

Shortly after I returned from the war, I gave up oil painting entirely, in favor of acrylic and pursued an abiding fascination with abstraction, and the use of nontraditional pigments and mixed-media elements in my work.

… And events just kept delivering hard times and trauma to reflect in art…

“9-11″ 18″ x 24” acrylic on canvas, 2001

Hard times come and go. Trauma is inflicted and endured, and trauma heals. The art remains.

I guess I’m just saying inspiration comes in many forms. Sometimes a beautiful sunrise on a favorite trailhead is enough. Sometimes events and circumstances provide inspiration of a different sort. I don’t know what to expect of my work from here, I only know I’ll keep feeling – and painting.

“Drone Strikes” 5″ x 7″ pastel on pastelbord, 2024

Sunrise at the Trailhead II

“Sunrise at the Trailhead II” 5″ x 7″, pastel on Pastelbord, 2024

I take a lot of early morning hikes. I see a lot of sunrises. No suprise then that I also paint a lot of sunrises. This view is a favorite one, from “my” parking place at a favorite trail. I see the sun rise from this vantage point often. This colorful sunrise, a view seen in September (as I recall) was quite a splendid one, and I did my humble best to capture it, although there is no universe in which art could accurately convey the beauty of the colors I saw that morning. I’ll keep trying. I’ll keep wondering at those beautiful sunrises.

Fall Chrysanthemums

“Fall Chrysanthemums” 5″ x 7″, pastel on Pastelbord, 2024

A pot of autumn chrysanthemums on a table inspired this piece. I enjoy using the bright hues of yellow, orange, and red pastels. There’s something fun and freeing about painting flowers, and an innocence and simplicity the riot of bright colors. Flowers seem somehow undemanding and joyful, and of all the pieces I’ve recently painted, my eyes keep coming back to this one.