“Summer Dahlias” 5″ x 7″ pastel on pastel board, 2024
An exploration of light and color, inspired by summer Dahlias at a local market. This piece is done using Henri Roche pastels on Ampersand pastel board.
“September Sunrise” 5″ x 7″ pastel on pastel board, 2024
Early work in a new (for me) medium. This piece is inspired by September sunrises I have enjoyed this year at a local trailhead. This piece uses a combination of Sennelier and Henri Roche soft pastels, on Ampersand pastel board.
As was the case when I first picked up a paint brush, in the early 1980s, I find myself most inspired by landscapes presently. Perhaps it is as simple as “seeing them everywhere” that makes landscape painting so approachable when I am exploring the first work in a new medium? Watercolor, oil, acrylic…they each followed a typical (of me) flow, first landscape, then botanical work or some still life, eventually breaking things down in new increasingly abstract ways. I wonder where pastels will take me, over time?
It’s been a bit more than a month since I made the switch from many years (a lifetime, really) of working in acrylic and 3D mixed media. So much has happened since then, and I’ve been enjoying my first explorations in pastel. I’m definitely enjoying the brands I’d selected (a combination of Sennelier and Henri Roche, and a small assortment of iridescent hard pastels from Sakura’s Nouvelle Carre’ line, some of which I’d apparently purchased “back in the day”, and lay long-forgotten in a box).
So many colors!
I took a couple days of solo creative time, late in July, and “played in the colors” without any specific agenda or rigid goals. It was very much an exploratory time, and I enjoyed it thoroughly. The results were sometimes a bit humbling (how am I this messy??), and often satisfying and delightful.
Super messy. LOL
Still, it’s not about neat vs messy, so much as the results, and I am pleased with those. I’ve surprised myself, too; of the new work, one piece is already sold, and two others are already spoken for. I did not expect that. This works for me. I also did not expect this medium to feel so… wholesome? Pure? Freeing.
I’ll no doubt do a post for each of these individually at some point, although they are part of the same weekend’s work. I hope you enjoy taking a look at my most recent work, and the first in this medium.
A study in pastel pencil for later work in soft pastels. “Summer Sunrise”, 5″ x 7″ 2024 [sold]
“Siletz Bay, Ebb Tide” 8″ x 10″ 2024
“Rosa Rugosa, Siletz Bay Shoreline, 8″ x 10” 2024 [sold]
I’ve got a number of pastels now, and the additional supplies I need to begin exploring what is, for me, an entirely new medium. I may have gone a bit overboard, as starting points go, but I dislike half-way measures, and I’ve reliably found that good quality pigments and well-prepared canvases or good quality paper selected with the purpose in mind gets a better result that “going cheap” – which can often turn out to be more expensive than investing in good materials with care.
Colors – and a starting point.
My pastels? I’ve selected Sennelier for my “basics”, choosing a variety selection of 40 half-sticks from a local art supply shop (to try them out and make damned certain I wanted to proceed with this exciting change), and the 80 half-stick landscape selection, which don’t overlap (as far as I can see). I added (very much an artistic “treat”) a selection of 12 Henri Roche half-sticks (their “vivid” assortment), less because I needed them – I just wanted them very much after seeing a video about their history and how they are made. It was this video that initially inspired me to consider pastels as an artist.
Inspiration in a box.
I found a nice Richeson “Roz Box” pastel case, used. I purchased a set of Rosemary & Co brushes and tools selected for pastels, and some Pastelmat in a comfortable size for “everyday work” as I take my first steps in this new (to me) medium.
Looks like it’s time to paint!
Every journey starts with a first step. Every painting begins with an idea. The Sennelier pastels came with a small piece of their sanded card paper, and I started there, exploring the colors, getting a feel for the medium, learning more about my limitations, my ignorance, and the nature of soft pastels (the dust! the smudging! the beautiful luminous hues!).
The very first pastel painting. 3″ x 6″, Sennelier Pastel Card, untitled sunrise, 2024.
It’s been more than a year since I last posted in this space. Life has been busy, and generally not artistically, just busy. I lost a dear friend this year, and with her passing I somehow lost a lot of inspirational fuel as well. Unexpected. Health. Aging. Mortality. Just the usual “human stuff” getting in the way of creative work, and here I am – more than a year later, with very little to show for it.
My last notable time spent in the studio was last November. I spent that working on an unfinished piece, “Toxicity”, and had this to say about it:
So this seems to be “the thing that’s been holding me back” in some subtle way; unfinished, and staring back at me in a mocking way, as if to say “you still can’t get past this one, and fuck you for thinking you could”. She’s the face of my chaos and damage. She’s the face of every abusive relationship, every stupid confrontation, every bit of seemingly senseless drama where my rather face-value take on things sometimes leaves me missing some obvious bit of imminent drama that plays to someone else’s sheet music. She’s the hidden agenda. She’s the pointless lie. She’s the temptation that destroys. She’s even the demon within me seeking more bad company to pull me from my better path. She’s the unaddressed past. She’s the poison we deliver to ourselves. She’s the pretty package that is empty inside. She’s “Toxicity”.
“Toxicity”, acrylic mixed-media on canvas with glow, 2023 (unfinished)
She’s not yet finished. The distortions to the mask were a bit of work, and I stalled shortly after I figured that out – which was sometime ago! Seems so long ago now, and carrying this burden has been… heavy. I’ve quite a lot more to do with this one, but working on it takes a bit out of me every time, as if I am exorcising this demon as I work. She is entirely inspired by ______, although she’s come to represent so much more as I have continued down my path, taking my own internal journey, and working through my bullshit. 11 x 14, mixed media on canvas with glow, tiny coins, molded plastic… and eventually a crown of shards of glass (no kidding – but I found some suitable broken float glass that had been “wave tumbled” and I think it’s a good choice), and some metallic strands of tightly coiled fine wire for hair. Being patient enough to let the glow gel around those coins dry today is hard, but I still need to figure out things like attaching the glass and the wire, and also decide whether the assorted small keys for earrings is too much… but… she’s been a key to so many things, and truly holding me back…so… it fits, yeah? And also… fuck this bitch – and the one who inspired her.
I wrote those words to my departed friend, and it seems a lifetime ago, now. It has been a long while. I’d nearly finished the work on this piece, hopeful I’d exorcised this demon, when my friend passed. Suddenly, it was too late to share new work, too late for deep conversations about life, or art, or anything at all. I found myself entirely stalled and began sloppily using my studio for storage space.
I think I’ve gotten myself sorted out now, and ready to tackle new work. I definitely want to. The challenge? I don’t at all want to do what I’ve done before. I’m hungry for something really new, really different.
Going through boxes and things and getting the studio in order for creative work to come, I found an old cigar box with some odds and ends art supplies in it, tucked in a corner of a drawer, forgotten.
Pastels and colored pencils, barely used at all.
I feel inspired again…
A pivot to an entirely new medium is no small thing, and I’ve no idea where this will take my work. My studio needs an overhaul with this change in mind, so I’ll be taking a look at work currently in storage (unsold) and developing a plan to thin that out through some kind of sale, very soon.
I don’t recall what specifically inspired this piece, painted after a stormy October weekend in Lincoln City, Oregon. Depending on the quality of the light in the room, it can appear as a stormy afternoon, or the twilight of evening.
“Coastal Getaway” 12″ x 14″ acrylic on canvas, 2021
Shot in different light:
Same painting, giving the appearance of a different time of day.
This is one of several pieces that I spent time on in 2020 and 2021, without doing much about documenting the work or sharing it; we’d just moved into our house in McMinnville, Oregon, and frankly life was pretty busy. lol
A lot of my work is inspired by things I find more difficult to put into words. Emotions. Profound joy. Deep sorrow. Painful memories. Nightmares.
This piece is acrylic on canvas, 8″ x 10″ with glitter and glow-in-the-dark. It’s a painting in my personal collection that has a fairly practical purpose for me; it anchors me in the here-and-now when I wake abruptly from a nightmare. It is my “nightmare city” – a place I frequently come back to in my bad dreams and PTSD-fueled nightmares. I charge the glow with bright light before I retire for the evening, and if I wake, the painting is glowing brightly in the darkness, reminding me where I am, that I am awake, and that I’ve left the nightmare city behind.
The Nightmare City, 8″ x 10″ acrylic on canvas w/glitter and glow 2010 (not for sale)
Charged, and viewed in red light…
A very different perspective on a personal hellscape.
I’m enjoying a weekend in the studio, and finding much of my inspiration in recent sunrises and sunsets. Quite a bit of new work in progress. Details to come, once pieces are finished, but here’s a sneak peak…
Not yet titled, 6″ x 8″ acrylic on wood panel with glow
“McMinnville Sunset 2022″, inspired by a recent sunset, 12″ x 12” acrylic on canvas
“McMinnville Sunrise 2022″, inspired by a recent sunrise, 8″ x 10” acrylic on canvas with glow
Just started on the cloudy sky background for this piece, very much still work in progress, 8″ x 10″ acrylic on canvas with glow.
I haven’t made enough room in my life lately for long weekends painting. It feels good to be back in the studio working creatively. I’m eager to see how these pieces develop, and getting them up for sale.
Funny title for a painting, I suppose. It has a backstory. Perhaps I’ll share that with a buyer one day. Perhaps not. This 8″ x 10″ acrylic on canvas piece has details that include glow-in-the-dark pigments and glitter. It was inspired by a brightly glowing luminous round full moon and the shimmering waves beneath it one mild October night in 2022.
Meta Luna, 8″ x 10″ acrylic on canvas with glow and glow-glitter details, 2022
New work. I spent some time in the studio this past weekend (overdue). Filled with inspiration, I wasn’t at all sure my time would actually be productive. Decision-making paralysis is a real thing, and I had “too many ideas” and struggled to steady down and work on just one or two.
“Every Dawn a Beginning” 12″ x 12″, acrylic on canvas w/glow, glitter, and resin details. 2022
This particular small piece was inspired in part by the collaboration with my partner (a different sort of artist), who shot several airbrush backgrounds for me recently that got set aside for later use. “Later” finally came around, and I sat down on a somewhat stressful autumn afternoon to think things over and put those thoughts on canvas. I selected this unusual orange-yellow-peach blended background because it threw my usual color selections out the window and forced some fresh thinking on me. New perspective, and a fun result.
Once this piece is fully dried, I’ll charge up the glow and add an image of that alternate perspective on this largely very hopeful piece. Inspired by love, and gray autumn days, and an old love song.