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Portraits of the Artist

I’m working on a commission, presently. A long-time friend who appreciates my work recently commissioned me to do a self-portrait. An interesting commission, and I undertook it enthusiastically, without giving the matter any hesitation at all – now I’m mired in it. lol Self-reflection is deep on a thing like this, but it’s not as if it is the first time I’ve done a self-portrait. They’ve changed over the years.

“Rage” acrylic on paper, 1985, my first self-portrait, at age 22. 12″ x 16″

In the 80’s and early 90’s, when I was still “finding my artistic voice” (still a work in progress, as it turns out), and painting in both watercolor and acrylic, I found emotional safety in abstraction for self-portraiture.

“Portrait of the Artist’s Tears”, 1987, acrylic on paper, 5″ x 7″

I didn’t “stay in that place” indefinitely, things sometimes felt better, sometimes they felt worse. It was a complicated journey, artistically, and I often found that painting was a way of saying what I did not have words for at that time in my life.

“The Night Before Christmas”, 1990, acrylic on paper 8″ x 10″

Some of it I still lack words for, and I’m happy to be in a very different place in life now. My feelings about these works, and the experiences they represent, remain very complicated.

“Marriage” 1991, watercolor on paper, 8″ x 10″

When my first marriage ended, in 1995, I fought hard and went through much to keep a small painting that remains one of my very fondest pieces, and it hangs in my home even now. I’ve never managed to take a decent photograph of it, and I guess I’m okay with that.

“Joy” 1994, watercolor on paper 4″ x 6″

By 2000 I was painting exclusively in acrylic, and doing a lot of 3D mixed-media work, abstractions and pieces that used a lot of glow, glitter, ceramic adornments, and often working quite large. There were certainly pieces I could call self-portraits in the years between 1995 and 2014, when this next piece was painted, but they weren’t necessarily intended that way. (I think art as a form of self-expression of necessity says something about the artist, one way or another.)

“The Price We Pay” 2014, acrylic on canvas with glow, glass, and ceramic details, 11″ x 14″ (the inclusion of the artist’s reflection intentional)

The last self-portrait I started on is still “work in progress”, and I don’t know that I’ll ever finish it. I’ve moved on from that moment. I don’t feel the way I did then, and I’m not sure I can finish it in an honest way because I have changed.

“Chained” acrylic on canvas with glow, ceramic, and chain, 18″ x 24″

So, here I am, now. This person, this woman, this artist, reflecting on self, and preparing to do one sort of self-portrait I’ve never done before; a work on commission for someone else. It’s an interesting project, and it is prompting me to reflect on details of the answer to a question in life that is simultaneously quite deep, and also quite mundane. Possibly one of the least useful questions one can ask oneself; because we already know the answer, however reluctantly we choose to acknowledge it. Self-reflection has value – but does it have hue? I chuckle to myself as I consider how best to portray the woman I see in the mirror every day.

Hand of Fatima

A look back a piece from 2019.

“Hand of Fatima” 8″ x 10″ acrylic mixed-media on canvas w/glitter and glow

This piece still gives me a feeling of peace and hope. It relies on a lot of glow, and one prominent “googly eye”.

“Hand of Fatima” seen in darkness after being charged under UV light.

Time Passes Quickly

It’s been more than a year since I last posted in this space. Life has been busy, and generally not artistically, just busy. I lost a dear friend this year, and with her passing I somehow lost a lot of inspirational fuel as well. Unexpected. Health. Aging. Mortality. Just the usual “human stuff” getting in the way of creative work, and here I am – more than a year later, with very little to show for it.

My last notable time spent in the studio was last November. I spent that working on an unfinished piece, “Toxicity”, and had this to say about it:

So this seems to be “the thing that’s been holding me back” in some subtle way; unfinished, and staring back at me in a mocking way, as if to say “you still can’t get past this one, and fuck you for thinking you could”. She’s the face of my chaos and damage. She’s the face of every abusive relationship, every stupid confrontation, every bit of seemingly senseless drama where my rather face-value take on things sometimes leaves me missing some obvious bit of imminent drama that plays to someone else’s sheet music. She’s the hidden agenda. She’s the pointless lie. She’s the temptation that destroys. She’s even the demon within me seeking more bad company to pull me from my better path. She’s the unaddressed past. She’s the poison we deliver to ourselves. She’s the pretty package that is empty inside. She’s “Toxicity”. 

“Toxicity”, acrylic mixed-media on canvas with glow, 2023 (unfinished)

She’s not yet finished. The distortions to the mask were a bit of work, and I stalled shortly after I figured that out – which was sometime ago! Seems so long ago now, and carrying this burden has been… heavy. I’ve quite a lot more to do with this one, but working on it takes a bit out of me every time, as if I am exorcising this demon as I work. She is entirely inspired by ______, although she’s come to represent so much more as I have continued down my path, taking my own internal journey, and working through my bullshit. 11 x 14, mixed media on canvas with glow, tiny coins, molded plastic… and eventually a crown of shards of glass (no kidding – but I found some suitable broken float glass that had been “wave tumbled” and I think it’s a good choice), and some metallic strands of tightly coiled fine wire for hair. Being patient enough to let the glow gel around those coins dry today is hard, but I still need to figure out things like attaching the glass and the wire, and also decide whether the assorted small keys for earrings is too much… but… she’s been a key to so many things, and truly holding me back…so… it fits, yeah? And also… fuck this bitch – and the one who inspired her.

I wrote those words to my departed friend, and it seems a lifetime ago, now. It has been a long while. I’d nearly finished the work on this piece, hopeful I’d exorcised this demon, when my friend passed. Suddenly, it was too late to share new work, too late for deep conversations about life, or art, or anything at all. I found myself entirely stalled and began sloppily using my studio for storage space.

I think I’ve gotten myself sorted out now, and ready to tackle new work. I definitely want to. The challenge? I don’t at all want to do what I’ve done before. I’m hungry for something really new, really different.

Going through boxes and things and getting the studio in order for creative work to come, I found an old cigar box with some odds and ends art supplies in it, tucked in a corner of a drawer, forgotten.

Pastels and colored pencils, barely used at all.

I feel inspired again…

A pivot to an entirely new medium is no small thing, and I’ve no idea where this will take my work. My studio needs an overhaul with this change in mind, so I’ll be taking a look at work currently in storage (unsold) and developing a plan to thin that out through some kind of sale, very soon.

The Nightmare City

A lot of my work is inspired by things I find more difficult to put into words. Emotions. Profound joy. Deep sorrow. Painful memories. Nightmares.

This piece is acrylic on canvas, 8″ x 10″ with glitter and glow-in-the-dark. It’s a painting in my personal collection that has a fairly practical purpose for me; it anchors me in the here-and-now when I wake abruptly from a nightmare. It is my “nightmare city” – a place I frequently come back to in my bad dreams and PTSD-fueled nightmares. I charge the glow with bright light before I retire for the evening, and if I wake, the painting is glowing brightly in the darkness, reminding me where I am, that I am awake, and that I’ve left the nightmare city behind.

The Nightmare City, 8″ x 10″ acrylic on canvas w/glitter and glow 2010 (not for sale)

Charged, and viewed in red light…

A very different perspective on a personal hellscape.

Meta Luna

Funny title for a painting, I suppose. It has a backstory. Perhaps I’ll share that with a buyer one day. Perhaps not. This 8″ x 10″ acrylic on canvas piece has details that include glow-in-the-dark pigments and glitter. It was inspired by a brightly glowing luminous round full moon and the shimmering waves beneath it one mild October night in 2022.

Meta Luna, 8″ x 10″ acrylic on canvas with glow and glow-glitter details, 2022

Every Dawn a Beginning

New work. I spent some time in the studio this past weekend (overdue). Filled with inspiration, I wasn’t at all sure my time would actually be productive. Decision-making paralysis is a real thing, and I had “too many ideas” and struggled to steady down and work on just one or two.

“Every Dawn a Beginning” 12″ x 12″, acrylic on canvas w/glow, glitter, and resin details. 2022

This particular small piece was inspired in part by the collaboration with my partner (a different sort of artist), who shot several airbrush backgrounds for me recently that got set aside for later use. “Later” finally came around, and I sat down on a somewhat stressful autumn afternoon to think things over and put those thoughts on canvas. I selected this unusual orange-yellow-peach blended background because it threw my usual color selections out the window and forced some fresh thinking on me. New perspective, and a fun result.

Once this piece is fully dried, I’ll charge up the glow and add an image of that alternate perspective on this largely very hopeful piece. Inspired by love, and gray autumn days, and an old love song.

Here’s the piece with the glow charged…

Incomplete, Unfinished, Work-in-Progress

I’m in the studio working on unfinished projects and new work, on this last day of 2021. Seems a good way to mark the end of one year, the transition to the next, as much as anything is. It’s rare for me to hold on to unfinished work long – most pieces are finished within a few days, at most. One or two, over some 40 years as a painter, have lingered months (even years) before finally being finished. Complex work, sometimes, other times it’s been more about a change of context, circumstance, or emotion, that stalls the work and then, more rarely, it becomes lost in the noise of a busy life, forgotten until discovered some time later.

Ending the year in the studio.

Currently, I have 14 unfinished canvases, in various stages of completion, and the oldest of these is a piece I began back in 2015 (a self-portrait). 6 years later, and I am still not ready to finish it (I may have missed my moment on that one). The rest of them are a mixed bag of lost inspiration, technical challenges I haven’t solved yet, and “what the fuck-ery” (where the piece somehow just isn’t coming together as I envisioned, and I haven’t sorted out what to do to recover the piece in some other way).

I hope to end this year here in the studio, in some productive fashion. I hope to begin the new year also here in the studio, productively, looking ahead with new vision. I don’t really do “resolutions” to celebrate the new year. This next year I do hope to post more of my work here, make more of it more easily available, and give a little more time and attention to the craft of the business of art.

I cue the next track on this playlist and get to work.

Upon Closer Inspection

"Upon Closer Inspection" 8"  x 10" acrylic on canvas w/googly eyes and glow 2014

“Upon Closer Inspection” 8″ x 10″ acrylic on canvas w/googly eyes and glow 2014

“Upon Closer Inspection” is an exploration of color and texture outside my usual materials. The vibrant green isn’t one I make a practice of working with, and having started out with it, I continued exploring the opportunity by also using new glow material. I had run out of phosphorescent acrylic paint, and the local art shop had none of quality in stock (many stores don’t consider glow in the dark to be a ‘professional use’ characteristic, and stocking it is a low priority). They had a sale bin, and in the sale bin were several craft kits for making glow-in-the-dark projects; they included packets of glow crystals. I used those, and clear medium with the googly eyes I had on hand to complete the piece, hoping to convey something about the idea that what we see up close isn’t always predicted by what we view from a distance… or perhaps something about life taking unexpected forms (or directions).  It’s a small piece, at 8″ x 10″. This piece is available for purchase at $150

Communion

"Communion" 24" x 36" acrylic on canvas w/ceramic details 2011

“Communion” 24″ x 36″ acrylic on canvas w/ceramic details 2011

“Communion” is a piece inspired by love and loving, and by both the effort and rewards in building lasting love between partners over time. Inspired specifically by my relationship with my partner Michael, it also speaks of a profound change in my own understanding of love and loving, intimacy, and what love demands of us as beings seeking fulfillment, value, and nurturing. A larger work at 24″ x 36″, it represents the way love looms large in the human experience, the emotion – as with the footprint of the canvas – being far more vast and encompassing that the enveloped figures seem to require to be visible. This piece is in my personal collection, and is not for sale.