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Bald Peak Viewpoint Misty Morning

Apr2

I sought out this location with some plein air painting in mind, but what I actually got was a rainy day with muddy trails and mist-obscured views. It was beautiful in its own way, and worth the trip. I’ll go back again, when the weather is fair and try to get a look at the view this spot is known for. There are lovely spots with picnic tables convenient for lingering awhile, and I can see this location becoming a favorite spot to paint.

“Bald Peak Viewpoint Misty Morning” pastel on pastelbord 7.5″ x 9″, 2025

This piece was done using a combination of Blue Earth and Sennelier soft pastels, and inspired by the dense mist, and rain-drenched early spring landscape of grassy slopes and mature hemlock trees.

Spring on the Clackamas River

Mar26

My week scouting inspiring locations for a bit of plein air work took me out to the Clackamas River. I enjoyed a chilly morning of hiking new trails, and scouting likely spots to sit alongside the river somewhere taking in the view. I finally found “my spot”, and I know I’ll be going back there. The chilly gray day threatened rain, but I did manage to get a bit of painting done before heading for home.

This piece was painted with Sennelier and Blue Earth pastels, on Ampersand Pastelbord.

“Spring on the Clackamas River”
7″ x 9″ pastel on pastelbord, 2025

Winter Sunrise

Nov10
“Winter Sunrise” 7″ x 9″, pastel on Pastelmat, 2024

I sat down to paint, feeling the lingering fatigue of a busy week, and a little low, generally. My heart felt heavy with the weight of unexpressed concerns, mostly fairly abstract and unresolvable. This painting is inspired both by my heavy heart, and also by the awareness that a new day will dawn. I could have titled it “This Too Will Pass” and conveyed similar sentiment.

This piece is painted entirely with Blue Earth pastels, and on Clairefontaine Pastelmat, taking advantage of a new tabletop easel. It’s been awhile since I worked from an easel, and in pastel there are some definite advantages, one being that loose pastel dust falls away from the work immediately, reducing the risk of smudging it into the work in spots where it doesn’t belong.